Teatro Alighieri | 08 March 2025 | at 11:00 AM

Events in Ravenna Festival
Teatro Alighieri | 08 March 2025 | at 11:00 AM
Chiostro della Biblioteca Classense | On-demand from 1 October
Via Sancti Romualdi 2025
Federico Faggin
Corpo, mente e spirito rivisti
Talking to Alessandro Barban former Prior of the Camaldolese Monks
in collaboration with Associazione Romagna-Camaldoli
Federico Faggin is an icon, a hero to all scientists and technology enthusiasts. Through his inventions, from the microprocessor to the touchscreen, and his pioneering studies of neural networks, he has helped shape the present we all know. But his research has continued and gone much further, overturning the ‘mechanistic’ paradigm whereby consciousness is an epiphenomenon of the brain, a by-product of matter. The divine in the universe is within us and creates through knowledge. Quantum events are intrinsic to the visible world, they cannot be copied or cloned: they are private. According to Faggin, consciousness and free will are intrinsic to the quantum micro-world, and dense matter is an epiphenomenon. Faggin will discuss these issues with Alessandro Barban, former Prior of the Camaldolese Monks.
Basilica Metropolitana | On-demand from 1 October
Cantare amantis est
Concerto del Giubileo
On the occasion of the 2025 Jubilee Year
Orchestra Giovanile Luigi Cherubini
conductor Hossein Pishkar
Andrea Berardi organ
Johann Sebastian Bach
Fuga in Si minore su tema di Corelli, BWV 579
Antonio Vivaldi
Symphony in B minor for strings and basso continuo “Al Santo Sepolcro” RV 169
Johann Sebastian Bach
Fuga (Ricercata N. 2) for six voices from Das Musikalische Opfer BWV 1079/5
transcription for orchestra Anton Webern
Richard Wagner
Karfreitagszauber (“Good Friday Spell”), from Parsifal
Leonardo Marino
new composition
for organo, strings, and boy treble
premiere
commissioned by Ravenna Festival
Edward Elgar
Sursum corda Op. 11 for strings, brass instruments, and organ
In this jubilee year, this project, named after the words of St Augustine, inevitably focuses on the spiritual element that runs through so much music and through Ravenna itself, its churches, its magnificent basilicas and the organs they house: extraordinary ancient instruments whose sound brings back to life the history of the city and of its people. It’s like going on a journey through the collective memory locked up in these ancient machines, to reinterpret it through the eyes and voices of today, in a festival that bridges past and future, where a contemporary score by Leonardo Marino meets the immortal music of Vivaldi, while the “modern” Webern faithfully transcribes Bach’s monumental fugue. Different generations join hands today to learn the lessons of yesterday, full of hope for tomorrow.
Lugo, Pavaglione | On-demand from 1 October
Enrico Rava & Stefano Bollani
Enrico Rava tromba e flicorno
Stefano Bollani pianoforte
‘The coolest guys in jazz’ is a perfect description for one of the most surprising and long-standing artistic duos. After years of regular collaboration, Enrico Rava and Stefano Bollani now occasionally perform as a duo or with other musicians: these are not just reunions, but the result of a mutual desire to resume a dialogue that was never completely interrupted, but only put on hold. This dialogue draws on various sources: jazz standards, of course, but also Brazilian music, Italian songs and original compositions, in a constant interplay of influences and references. The chemistry and creativity of the moment do the rest.
Lugo, Pavaglione | On-demand from 1 October
Uri Caine
The Passion of Octavius Catto
Uri Caine piano
Barbara Walker vocals
Mike Boone electric bass
Clarence Penn drumkit
Ralph Alessi trumpet
Achille Succi saxophones
organizzazione Rosalba Di Raimondo Artist Management in collaborazione con Live Arts srl
in collaboration with Lugocontemporanea
Italian premiere
A story from the past to fight today’s racism: Uri Caine, a musician and composer with a social conscience, renowned for his ability to blend different musical styles, from jazz to classical, is the author of a poignant and highly significant work dedicated to Octavius Catto, an African-American born in South Carolina in 1839 and raised in Philadelphia – the city where Caine himself was born. Catto became a civil rights activist and was assassinated in 1871. To set his story to music, Uri Caine drew on the African-American tradition, particularly gospel, classical contemporary music and jazz, demonstrating once again that in art, as in everyday life, there should not and cannot be any kind of division.
Basilica di San Vitale | On-demand from 1 October
Tribute to Giovanni Pierluigi da Palestrina for the 500th anniversary of his birth and to Alessandro Scarlatti for the 300th anniversary of his death
Ensemble Vocale Odhecaton
Alla Palestrina
choirmaster Paolo Da Col
Alessandro Carmignani countertenor
Guilhelm Terrail countertenor
Gianluigi Ghiringhelli countertenor
Oscar Golden Lee tenor
Luca Cervoni tenor
Luigi Tinto tenor
Alberto Spadarotto baritone
Enrico Bava bass
Marcello Vargetto bass
Alessandro Scarlatti
Messa breve “a Palestrina”
Giovanni Pierluigi da Palestrina
Motets
An ideal connection exists between the protagonists of our two anniversaries: Giovanni Pierluigi da Palestrina (1525-1594) and Alessandro Scarlatti (1660-1725). The former was considered the princeps musicae, and his work represented the paradigm of the polyphonic style for all composers, including Scarlatti, who was not immune to his influence, especially in his sacred production. Proof of this is the Messa Breve ‘a Palestrina’, composed in the a cappella style of Palestrina himself and intended for the Papal Court (both composers worked in Rome most of the time, another thing they had in common). Several manuscript copies of this work exist, two of which are signed by the composer himself; Odhecaton now combine them with Palestrina’s motets in a kind of unprecedented liturgy.
Russi, Palazzo San Giacomo | On-demand from 1 October
The Night of the Spiritual Jazz
Lakecia Benjamin / Hamid Drake
Lakecia Benjamin
“Phoenix Reimagined”
Lakecia Benjamin Sax tenor
Dorian Phelps Drums
Elias Bailey Double Bass
John Chin Piano/Keys
Hamid Drake
“Turiya: Honoring Alice Coltrane”
special guest James Brandon Lewis
James Brandon Lewis tenor sax
Ndoho Ange dance, spoken words
Jan Bang electronics
Jamie Saft piano, keyboard
Pasquale Mirra vibraphone
Brad Jones double bass
Hamid Drake drums, percussion, vocals
Partly a legacy, partly a powerful and cathartic evocation, this is the best way to pay tribute to Alice Coltrane, a pianist and composer who for too long remained in the shadow of her undoubtedly incomparable husband, who transformed his visions into a musical style so original that he became the undisputed reference point for ‘spiritual jazz’. Today, Lakecia Benjamin embodies the incredible vitality of female jazz with her amazing ability to master an explosive sound and style. A stellar ensemble featuring the veteran Hamid Drake, the powerful young saxophonist James Brandon Lewis, the ‘electronics guru’ Jan Bang of Supersilent and the brilliant pianist Jamie Saft will honour the genius of Alice Coltrane with all the urgency that her ecstatic and compelling music demands.
Lugo, Pavaglione | On-demand from 1 October
Malika Ayane
Orchestra La Corelli
conductor Daniele Parziani
piano Carlo Gaudiello
curated by Pierfrancesco Pacoda
coproduction Ravenna Festival, Mittelfest
premiere
Malika Ayane puts her classical training (studies at the Milan Conservatory and experience at La Scala) at the service of pop, using the splendour of arrangements specially created for La Corelli Orchestra to enhance the profound romanticism of her style, which is a blend of soul music, jazz and the great tradition of singer-songwriting. For the Ravenna Festival, she has conceived a new interpretation of her vast repertoire, reworking it in scores that emphasise its soft rhythms, combining references to Afro-American sounds with a love of melody and ballads. These are the songs that have won her the hearts of Italian audiences. As comfortable on the Sanremo TV stage as she is in more intimate settings, Ayane always gives her audience a personal experience, creating a direct, delicate and yet highly emotional relationship.
Milano Marittima, Arena dello Stadio dei Pini | On-demand from 1 October
Il Trebbo in musica
Carlo Lucarelli
Io le odio le favole
Storie che fanno paura ai bambini
Mattia Dallara live electronics, composition
Marco Rosetti arrangements, composition
Federico Squassabia piano, composition
production Ravenna Festival
Italian premiere
with the contribution of Cooperativa Bagnini Cervia
Fairy tales are full of enchanted castles where beautiful princesses live, surrounded by winged horses, fairy godmothers and pumpkin carriages. But there is also a wicked witch who locks two little children in a cage, a wolf who swallows a nice old lady whole, and a starving little match girl who freezes to death. Fairy tales can describe wonderful worlds as well as terrible, frightening and mysterious ones.
As in one of his most thrilling investigations, the master of Italian noir, Carlo Lucarelli, takes us on a musical journey through the dark heart of fairy tales, which becomes an exploration of the human soul and of our deepest fears to be faced and conquered in order to live happily ever after.
Antichi Chiostri Francescani | On-demand from 1 October
Alexander Gadjiev piano
Claude Debussy
Five Preludes from the Second Book, L 131
Brouillards aus Préludes
La terrasse des audiences du claire de lune
Ondine
Hommage à S. Pickwick Esq. P.P.M.P.C.
Feux d´artifice
Béla Bartók
Suite “All’aria aperta” (Szabadban) SZ 81, BB 89
Modest Petrovič Musorgskij
Pictures at an Exhibition
The Hungarian word ‘szabadban‘ means ‘freedom’; in Béla Bartók’s case, it means above all freedom of composition. This was the original title of his piano suite Out of Doors, in which unexpected sonic constructions and transcendental performance techniques challenge even the most experienced pianists. Similar challenges can be found in Debussy’s Second Book of Preludes, where the instrument is pushed to the limit of its resources, and in Mussorgsky’s Pictures at an Exhibition, the most compelling and imaginative musical ‘promenade’ ever created in the history of music. They will all be entrusted to the talent of thirty-year-old Alexander Gadjiev, the first Italian pianist to reach the podium of the legendary Chopin Competition, sixty years after Maurizio Pollini.